|
PEACE AND LOVE
I try always to learn from painful experiences,
and to forgive
–
both myself and others
–
and to move on, with an open heart and mind. At
some point one realizes that anger is a real
waste of energy, it’s draining and damaging, and
one learns to deliberately let go of it, and the
letting go brings a lightness, a new freedom and
hopefulness that may unfortunately be hard to
sustain at all times. Peace and love are ideals
toward which we reach.
THE END OF THE WAR
I love the 5/8 time signature. I love how it
bounces and propels itself forward.
The “war” here could be seen as a metaphor for
two people not getting along. When it’s over
there is a quiet calm and it’s really sweet and
nice but the sweetness is bitter because you’ve
suffered a lot to get to the end of the
fighting. But you fought fair and that feels
good and your sanity and integrity are intact,
and even strengthened.
WHY CAN’T WE LOVE EACH OTHER
Pretty self-explanatory, this one. Trouble makes
me wonder why it’s all so complicated when it
seems that something as universal as love should
be so simple.
BUTTERFLIES
I had a dream that I was standing in a hilly
field surrounded by dead butterflies.
Butterflies represent…what? Souls? In this song
I bring all the butterflies back to life.
WHAT IS WRONG
I want to solve the unsolvable problems. I
always think moodiness must be explained to be
mastered. I sensed he wanted out but he never
vocalized it or gave me any reasons and so in
this song I try to figure it out myself. I ask
him, I ask the universe, What is wrong?
What is wrong with us and with everything but
also what is wrong with me for getting myself
into yet another complicated and unhappy
situation?
UNSUNG
I’ve always wanted to put an instrumental on an
album but for some unknown reason never got
around to it until now. I recorded the electric
guitar direct into the 8-track machine,
foregoing any amp, and the result was this
dweeby guitar sound. I think it’s charmingly
dweeby. I’m a dork, okay? and I’m not afraid to
show it.
EVAN
I recently got together with my old friend after
we’d been estranged for a few years. Seeing him
again made me realize that we will be bonded
forever, through bad and good, no matter if we
fight or never even talk to or see each other
ever again.
|
|
It is a friendship that we have not exactly
nurtured over the years but nevertheless we have
a history and a connection that transcends time
and distance and circumstance. At the roots Evan
is still the same Evan I met when we were just
kids first starting bands and I’m still the same
girl who was drawn to him for all his darkness
and light; for his remarkable, original mind and
his talent and his humour and the way he liked
to play with words and his utter lack of
judgment of other people. Did I get all that in
the song? I think you have to read between the
lines for the details.
LET’S GO HOME
This is a true story
–
I really was sad on the train; I really swept
under the couch (in advance of his visit) and
stocked the fridge with his favorite foods, etc.
He thought I had a messy, dusty, unorganized
home and I tried to make it warm and comfortable
and sparkly for him so he would want to be
there. But his distaste for my bohemia was just
an excuse masking our larger problems, and I
couldn’t solve them with the Windex and paper
towels he bought me.
I PICKED YOU UP
Two people who had kind of given up on other
people find each other by accident.
FAITH IN OUR FRIENDS
Friends are good to have when everything falls
apart, or seems to. Your friends accept you as
you are, with all your faults and weaknesses and
pimples and bad habits and breakdowns. Friends
are invaluable in times of crisis and grief.
It’s a simple concept, but so true.
I’M DISAPPEARING
This one is told from an anorexic’s point of
view. I’ve suffered from this in the past and
people would say things to me like “You’re
shrinking” or “You look so small.” In this song
I try to explain what it’s like to be that
person – how it feels to be smaller than I
should; smaller than I used to be, and how weird
and scary and baffling and overwhelming and how
literally Self-defeating it can be.
DEAR ANONYMOUS
This could have been called “Sympathy For The
Devil.” It’s addressed to a stalker, name
unknown, written by the stalkee. This victim,
who doesn’t consider herself a victim,
contemplates why she is being harassed. She
doesn’t know who the perpetrator is – he’s a
stranger to her – but she knows not to take it
personally; she realizes with an impressively
level head that she is the random innocent
target of her tormentor’s own pathology. Having
sympathy for one’s antagonist initially requires
a lot of forgiveness and generosity of heart and
mind, but then it becomes sincere curiosity (Why
are you like this? What made you this way?) and
empathy (I’m screwed-up, too – we are more alike
than you know.)
TO LINER NOTES BY JAMES PARKER
[photo:jonathan stark]
|
|